I was delighted to be invited to perform once more at the North-East Electro-Music Festival held at the Center for the Arts in Homer, NY. It’s a three-day festival of electronic and electro-acoustic music that brings together some of my favorite artists in the field for a diverse selection of genres and instrumentation. This was my sixth performance at one of these events, created by the Electro-Music community, now celebrating fifteen years of bringing artists and audiences together, often in a diffuse way in which players play, coalesce, and recombine into both planned and spontaneous ensembles that challenge and engage.
The event includes performances, unstructured time to just gather with other performers and composers and talk shop, and a variety of workshops ranging from the technical to the historical and instructional. We were lucky this year to have Bill Vencil, known on Youtube as Chords of Orion, with us to perform, share his technique, and conduct a great session on how to get established as a performer on Youtube.
There’s a openness and forgiving quality to audiences at EM Fests that really push a person to open up more, and experiment more, and to try new ideas and modes on an audience that is both one of the smartest and most forgiving in the field, and I’ve been gradually drifting from doing tightly scripted, fully orchestrated combinations of stories and live, improvised soundtracks that are my best approximation of what you’d get if stand-up comedy and digital jazz got together and made a noisy, chatty baby on stage. This year, I took on unresolved plotlines, half-told tales, and ruminations uncertainty and endings.
Thanks again to everyone at NEEMFest for making this happen!
I’ll be playing a gig in my ambient mode, as Kantoendrato, on Saturday, March 23, in Pittsburgh, PA. The details are as follows:
A meet-up & performance event for electronic music and modular synthesizer enthusiasts, featuring manufacturer demos, live performances, hands-on wiggling, and more! Admission is free, however donations to the The Western Pennsylvania Center for the Performing Arts Academy (a non-profit organization) will be gladly accepted. We understand that starving artists and students are especially strapped for cash.
I was honored to be invited to tell a story at the RISK! podcast live show in Baltimore at the Creative Alliance on November 3rd, 2017. I’ve been a big fan of the open, wild, freewheeling storytelling style of RISK! for a while now, which spares no sensibilities in telling things just exactly as they are.
I got to share the stage again with the fantastic KL Parr, who I had the pleasure to meet at my second outing with Baltimore’s own Stoop Storytelling series in February, 2017, as well as Rachel Hinton, Shamyla Tareen, and the illustrious host of the RISK! podcast, Kevin Allison. Three of our stories were featured in the podcast of that evening’s storytelling, available at the RISK! site, and here’s a brief excerpt from mine, in which I describe my failed aspiration to badass status and my infinitesimally short career in the eighties as a fake-smoking male stripper who’d learned to dance by watching Twyla Tharp and Bob Fosse and providing accompaniment by Harry Partch (it did not go well).
Performed a couple stories last weekend with live electronic accompaniment (using the smallest rig I’ve used to date for a minimalist invocation of mood) at the Center For The Arts in Homer, New York, as a participant in a two-day festival of electronic, electro-acoustic, and experimental music. I’m always honored to share a bill with so many amazing artists, and this year’s festival was my first outside of the previous venue in Huguenot, NY.
I’ll be performing as a part of the wonderful Electro-Music Northeast Festival in Homer, NY, on 9 September 2017 (I’m in the 4:20 PM slot on the second stage). The festival is a two-day coming-together of fantastic players, composers, video artists, experimentalists, and other electro-acoustic explorers, and I’m honored to be participating for my fifth year with the group. It’s an absolute bargain for the diversity and density of work on tap, and there are seminars and a synthesizer petting zoo to get your hands on the greatest and latest gear in the field.
For years, the Electro-Music festival was held in the Catskill region of Upstate, NY.
For the first ever Northeastern Electro-Music Festival, a new location has been discovered at the Center for the Arts in Homer, NY. This year’s gathering features two full days of innovative electronic music concerts, seminars, workshops, demonstrations, jam sessions, video artists, and a mini swap-meet.
There will be a hands-on “Synthesizer Petting Zoo,” with various rare and odd synthesizers, drum machines, and other pieces of electronic music gear you hadn’t known existed.
Please bring your own headphones for the Petting Zoo, otherwise a community set of headphones will be made available; iPhone/iPod headsets work well, too.
I’ve been experimenting with ways of telling stories on stage. I’m drifting away from the scripted, the cut-and-dried, and the composed in favor of the kind of stories you tell around the campfire or in a bar, surrounded by new friends and old. I’m using improvisational electronics to score these stories and stepping up on stage with just a single index card with a collection of waypoints to remind myself where I am in case I drift off the subject, and I’m increasingly happy to work in this loose and natural mode. Stories come in and out of focus, I find the point, lose it again, and work my way back. It feels like the kind of thing I’ve been trying to do ever since the first time I set foot on a stage with a synthesizer and a microphone, nearly thirty years ago.
This time around, I was thinking about stories from outside, from just off the beaten path, just beyond the edge of the highway, where we find meaning in unexpected places.
I’ll be performing a piece for spoken word and electronics on Sunday, 6 August 2017 at 2:30 PM as part of the 13th Annual Electro-Music Festival at the Irving Theater in Indianapolis, Indiana [directions]. The entire weekend is a long-form celebration of electronic, electro-acoustic, and experimental music that runs the alphabetic gamut from the abrasively new to the zestfully soothing, with a three-day bill jam-packed with amazing musicians I’ve had the pleasure to work with and otherwise revel in for several years now. I’m bringing my combination of left-field storytelling and digital atmospherics to the party, and I get to spend the rest of the time enjoying and educating myself in how it’s done.
All ages show – tickets at the door Weekend pass $25, or by day: Friday $10, Saturday $15, Sunday $12