Performed a couple stories last weekend with live electronic accompaniment (using the smallest rig I’ve used to date for a minimalist invocation of mood) at the Center For The Arts in Homer, New York, as a participant in a two-day festival of electronic, electro-acoustic, and experimental music. I’m always honored to share a bill with so many amazing artists, and this year’s festival was my first outside of the previous venue in Huguenot, NY.
I’ve been experimenting with ways of telling stories on stage. I’m drifting away from the scripted, the cut-and-dried, and the composed in favor of the kind of stories you tell around the campfire or in a bar, surrounded by new friends and old. I’m using improvisational electronics to score these stories and stepping up on stage with just a single index card with a collection of waypoints to remind myself where I am in case I drift off the subject, and I’m increasingly happy to work in this loose and natural mode. Stories come in and out of focus, I find the point, lose it again, and work my way back. It feels like the kind of thing I’ve been trying to do ever since the first time I set foot on a stage with a synthesizer and a microphone, nearly thirty years ago.
This time around, I was thinking about stories from outside, from just off the beaten path, just beyond the edge of the highway, where we find meaning in unexpected places.
I’ll be performing a piece for spoken word and electronics on Sunday, 6 August 2017 at 2:30 PM as part of the 13th Annual Electro-Music Festival at the Irving Theater in Indianapolis, Indiana [directions]. The entire weekend is a long-form celebration of electronic, electro-acoustic, and experimental music that runs the alphabetic gamut from the abrasively new to the zestfully soothing, with a three-day bill jam-packed with amazing musicians I’ve had the pleasure to work with and otherwise revel in for several years now. I’m bringing my combination of left-field storytelling and digital atmospherics to the party, and I get to spend the rest of the time enjoying and educating myself in how it’s done.
All ages show – tickets at the door Weekend pass $25, or by day: Friday $10, Saturday $15, Sunday $12
I went acoustic for the first time ever for the 2017 Queering Sound spoken word show hosted by Sonic Circuits and Rhizome DC, performing a version of my story about a particularly awkward career move to the accompaniment of live banjo instead of my usual consort of digital instrumentation.
It was an interesting venture into more traditional storytelling for me and a big break from my usual obsessive need for control of every aspect of the sonic underpinning of my stories…and it went particularly well. Looking forward to more events of this type in the future, and am grateful to Sonic Circuits and Rhizome DC for hosting and inviting me to be a part of this show. If you’re unfamiliar with either of these organizations, I’d encourage you to check them out—good art comes from here!
It’s less than two weeks to my first big show in a faraway city—I’m going to be telling stories in St. Louis, Missouri at the Kranzberg Arts Center, thanks to the HEARDing Cats Collective on Saturday, 10 October 2015, at 7:30PM.