I’ve been experimenting with ways of telling stories on stage. I’m drifting away from the scripted, the cut-and-dried, and the composed in favor of the kind of stories you tell around the campfire or in a bar, surrounded by new friends and old. I’m using improvisational electronics to score these stories and stepping up on stage with just a single index card with a collection of waypoints to remind myself where I am in case I drift off the subject, and I’m increasingly happy to work in this loose and natural mode. Stories come in and out of focus, I find the point, lose it again, and work my way back. It feels like the kind of thing I’ve been trying to do ever since the first time I set foot on a stage with a synthesizer and a microphone, nearly thirty years ago.
This time around, I was thinking about stories from outside, from just off the beaten path, just beyond the edge of the highway, where we find meaning in unexpected places.
I’ll be performing a piece for spoken word and electronics on Sunday, 6 August 2017 at 2:30 PM as part of the 13th Annual Electro-Music Festival at the Irving Theater in Indianapolis, Indiana [directions]. The entire weekend is a long-form celebration of electronic, electro-acoustic, and experimental music that runs the alphabetic gamut from the abrasively new to the zestfully soothing, with a three-day bill jam-packed with amazing musicians I’ve had the pleasure to work with and otherwise revel in for several years now. I’m bringing my combination of left-field storytelling and digital atmospherics to the party, and I get to spend the rest of the time enjoying and educating myself in how it’s done.
All ages show – tickets at the door Weekend pass $25, or by day: Friday $10, Saturday $15, Sunday $12
I went acoustic for the first time ever for the 2017 Queering Sound spoken word show hosted by Sonic Circuits and Rhizome DC, performing a version of my story about a particularly awkward career move to the accompaniment of live banjo instead of my usual consort of digital instrumentation.
It was an interesting venture into more traditional storytelling for me and a big break from my usual obsessive need for control of every aspect of the sonic underpinning of my stories…and it went particularly well. Looking forward to more events of this type in the future, and am grateful to Sonic Circuits and Rhizome DC for hosting and inviting me to be a part of this show. If you’re unfamiliar with either of these organizations, I’d encourage you to check them out—good art comes from here!
Told a story as a part of the Stoop Storytelling Series – The Sex Show. The theme of the evening was sex, so I naturally shared a story of my own in which there was no sex at all, at least on my part, as I’m generally inclined to approach everything sideways, dealing reality a glancing blow.
I was honored to be invited to share the stage with nine amazing storytellers for an evening of lurid tales of the lascivious side of life, though my tale is less about actual sex and more about the tragic excesses of one’s early thirties, odd career choices, and the things you’ll do because of a crush.
It’s less than two weeks to my first big show in a faraway city—I’m going to be telling stories in St. Louis, Missouri at the Kranzberg Arts Center, thanks to the HEARDing Cats Collective on Saturday, 10 October 2015, at 7:30PM.
I performed on Friday, 11 September, 2015, as part of the Electro-Music 2015 Conference at YMCA Greenkill in Huguenot, NY. I’m gearing up for a revival of my award-winning spoken word piece, My Fairy Godmothers Smoke Too Much, and shared an abbreviated episode of lopsided stories of unlikely fairy godmothers, dancing with distant strangers, and otherwise trying to make sense out of the senseless eighties, accompanied by a freewheeling electronic score.
• I’ll be performing in Saint Louis, Missouri at 7:30 PM on Saturday 10 October 2015 at the Kranzberg Art Center [tickets $12 regular, $7 students/artists].
I’m playing at Pyramid Atlantic in Silver Spring, Maryland on 2 May 2015, in my Kantoendrato guise (my ambient alter ego). It’s a great bill, a fun, relaxing format, and everything starts at 8PM. $10 and well worth it.
Played a brief, but energetic, set on Friday, 27 February 2015 at Electric Maid in Takoma Park as part of the Baltimore SDIY group’s 2 day winter electronic music event. First go-round for my Kantoendrato alter-ego (to make PR a bit easier, I’m going to be going by Kantoendrato for my ambient and experimental electronic sets and by my given name for my storytelling work), and was delighted to work with alternating.bit for the set.
I predict big things for this collaboration in time.
I’m playing in this year’s Electronica Fest at the National Electronics Museum, in Linthicum, Maryland (near BWI Airport), on Saturday, 8 November 2014, in the 4:30-5:00 slot. The Fest is an amazing day-long celebration of electronic and electroacoustic music that runs from noon till ten o’clock and gives audiences an opportunity to hear a dizzying array of genres touched by the thrilling spark of electricity for a delightfully paltry ten bucks. The music ranges from the downright lovely to the down-home peculiar and the atmosphere just can’t be matched by anything else going on in the region. It’s a great Saturday for sound.