Figure out who you are…

…and then do it on purpose, in the words of the indelible Dolly Parton. I started writing ages ago, it seems, but was a little wayward in figuring out what I am good at doing, largely because the people doing it already remained just outside of my line of sight, often obscured by the (in my mind) overly vaunted Very Important Novelist and other towering figures of literature. I write because it’s inherent to me, I think, but giving it a name, even belatedly, is a useful thing.

I write, sometimes for my stage act as a combination stand-up autobiographer and house band, sometimes entirely for myself, and sometimes for an imaginary newspaper that would print my occasional columns like a rambling and often profane aspirant to the space Armistead Maupin occupied back in the day, but I’ve been reading E.B. White as a sort of post-election therapy and I’m struck by how much of White’s take on the task of the essayist truly nails my own assortment of flaws and strengths:

The essayist is a self-liberated man, sustained by the childish belief that everything he thinks about, everything that happens to him, is of general interest. He is a fellow who thoroughly enjoys his work, just as people who take bird walks enjoy theirs. Each new excursion of the essayist, each new “attempt,” differs from the last and takes him into new country. This delights him. Only a person who is congenitally self-centered has the effrontery and the stamina to write essays.

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A rare month.

First of all, it was October, a rare month for boys. Not that all months aren’t rare. But there be bad and good, as the pirates say. Take September, a bad month: schoool begins. Consider August, a good month: school hasn’t begun yet. July, well, July’s really fine: there’s no chance in the world for school. June, no doubting it, June’s best of all, for the school doors spring wide and September’s a billion years away.

But you take October, now. School’s been on a month and you’re riding easier in the reins, jogging along. You got time to think of the garbage you’ll dump on old man Prickett’s porch, or the hairy-ape costume you’ll wear to the YMCA the last night of the month. And if it’s around October twentieth and everything smoky-smelling and the sky orange and ash grey at twilight, it seems Hallowe’en will never come in a fall of broomsticks and a soft flap of bedsheets around corners.

—Ray Bradbury, from Something Wicked This Way Comes

Tom Lehrer gives.

Photo of Tom Lehrer

Just a fresh reminder that Tom Lehrer stands among the great artists of all time for, among other things, relinquishing copyright to his life’s work as he nears the end of his time here rather than having his clutching, wealth-hoarding estate or some atrocious corporate creeps hold his “intellectual property” behind a locked door to generate never-ending revenue as long as possible rather than to give his work to the culture that helped him create it. So McCartney, Springsteen, Dylan and all the other money-grubbing famemonsters sell their catalogs to monstrous LLCs to make the pile of obscene wealth they sleep on each night a few feet taller, while better humans give back. The guy’s a mensch, and his music is fun.

Visit his site to download his wonderful work, and share some the generosity:

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In societies where modern conditions of production prevail, all of life presents itself as an immense accumulation of spectacles. Everything that was directly lived has moved away into a representation.

—Guy Debord, 1967

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“Things don’t have purposes, as if the universe were a machine, where every part has a useful function. What’s the function of a galaxy? I don’t know if our life has a purpose and I don’t see that it matters. What does matter is that we’re a part. Like a thread in a cloth or a grass-blade in a field. It is and we are. What we do is like wind blowing on the grass.”

― Ursula K. Le Guin, The Lathe of Heaven