The blue hours, part one.

I’ve begun to properly embrace what I’ve learned is called a “biphasic” or “multiphasic” sleep pattern, casting away the busispeak “insomnia” and all its attendent judgement of a lack of productivity in sleep, for Pete’s sake, as one more of the wretched impositions of a clockwork life in the planet-wide currency mill, and it’s connecting me with parts of myself that I’d glimpsed from a distance for most of my life.

I’ve always loved the blue hours—those in-between spaces when the rest of the world is largely taking place just around the curve of the Earth. I wake up, sometimes at oddly familiar times, like when I stir, tap my watch on its little charging stand to see when it is that I’ve resurfaced, and return, in eye-friendly green text, “3:01” or “5:05” or “4:33,” and wonder if they’re part of that dreamland oracle meant to give some meaning, or if it’s just pareidolia connecting a pattern with random reflections within my memory palace, assigned a value in the way we used to think the patterns of the stars had something to say about our lives.

At 5:05, I stir, quietly as to avoid waking my partner or our dogs, slip out of the bed, gather up my daily devices in a pocket, and quietly tiptoe out, taking care to close the door with all the stickers and one gently snoring child, before I creakily descend the stairs to lurk deliciously in the great empty volume of the house.

Today, I light a candle, take a photo of myself perched in front of my little writing device, as if to document some grand artistic process instead of just letting it happen unseen in the little breakfast nook, sip at a strong cup of tea with heavy cream and no sugar, and start to write, once I’ve irritably solved the problem of what impossible string of letters, numbers, and special characters will get me into my website.

Outside, the sky is going through that gorgeous procession of blue to blue to blue, and the horizon is just taking on the threads of pink and gold that precede the sunrise on that side of the house. I’m a little unsettled, still from one of those dreams that’s not bad at all, but leaves one with a feeling that something’s not quite right, but there’s tea and a candle and music in my earphones and there is nothing to do but do. I was reminded recently how it important it is to embrace a radical incrementalism and write a little each day, or do a little work towards a goal, or otherwise just continue on a track with an endpoint yet to be revealed, so I set to work, in my own way and at my own pace.

It is a good thing.


© 2023 Joe B. Wall

The Wrong Hand

2016-07-30

Yesterday, after shopping at Ikea, as I carried a big blue tote bag containing ten LED Par-20 floodlight bulbs for my lighting instruments in the lobby of the little theater I run and one small black picture frame for artist bios for our gallery exhibition away from the cash register, I paused, taking in the scent of cinnamon rolls, then remembered that they seldom live up their their promise, and continued on my way.

A young couple blockaded my escape route, but I was too tired to dart, so I bided my time behind them. As we passed into the gauntlet of sliding doors, the young man slipped back to let me pass, and as I was about to step through the last sliding door, the young lady, on a monologue to her mate, assumed, by position, that I was that gentleman, reached out, and grabbed my hand.

I looked down at my big clumsy meathook inexplicably in the control of a more slender and elegant hand than I am accustomed to holding, then looked up at her with a furrowed brow as she continued her soliloquy, her sharp eyes scanning the large parking lot for their car, then looked back at her mate, whose face was a wry and twisted concentration of I MUST NOT LAUGH.

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